Some recent-ish publications

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book coming out of the Combinatorial Books pilot)

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Wednesday
May172023

A History of Asking, by Steven Connor - new open access book from OHP

Open Humanities Press is pleased to announce the publication of A History of Asking, by Steven Connor.

Like all Open Humanities Press books, A History of Asking is available open access (it can be downloaded for free):

http://www.openhumanitiespress.org/books/titles/a-history-of-asking/

Book description:

Asking is one of the simplest and most familiar of human actions, and has a right to be thought of as single most powerful and most variously cohering form of social-symbolic gesture. Because so much is at stake in the act of asking, asking, or asking for, almost anything, whether information, help, love or respect, can be asking for trouble, so a great deal of care must be taken with the ways in which asking occurs and is responded. A History of Asking is the first attempt to grasp the unity and variety of the technics and technologies of asking, in all its modalities, as they extend across a spectrum from weak forms like begging, pleading, praying, imploring, beseeching, entreating, suing, supplicating and soliciting, through to the more assertively and even aggressively self-authorising modes of asking, like proposing, offering, inviting, requesting, appealing, applying, petitioning, claiming and demanding. The book considers the history of 6 broad modes of petitory practice. The act of begging, both among animals and humans is considered in terms of its theatrics. The institution of the political petition, protocols for which seem to arise in also every system of government of which we have knowledge, is tracked through from late medieval to nineteenth-century Britain. The act of prayer, central to religious practice, though often the last form of religious behaviour to fall away among those lapsing from adherence, and one of the religious practices that is most likely to be adhered to in the absence of any other religious commitment, is the subject of sustained scrutiny. The appeal of prayer is essentially to the fact of participation in language, and the specific forms of commitment to the condition of being bound, bindable, or biddable by it. Wooing and the associated economics of seduction and solicitation are tracked through from the formalisation of the conventions of courtly love in the 12th century through to modern techniques of flirtation. The book revives the antique term ‘suitage’ in order to discuss all the forms of sueing and suitorship for favours or advantage, as well as, more broadly the act, pursued almost life-long, of trying to get one another to do things for us, in particular in indirect or vicarious forms of what may be called ‘interpetition’, such as the dedications of books to patrons, the institution of the testimonial or letter of reference and the practices of flattery. A History of Asking concludes with a discussion of the many ways in which our necessarily parasitic relations on each other in a complex society are both conveyed and dissimulated, especially through the ways in which we summon and salute different kinds of service. 

Author Bio

Steven Connor is Grace 2 Professor of English Emeritus in the University of Cambridge and Professor of Living Well with Technology at King’s College London. He is a writer, critic and broadcaster, who has published books on Dickens, Beckett, Joyce and postmodernism, as well as on topics such as ventriloquism, skin, flies, air and numbers. His website at http://stevenconnor.com includes lectures, broadcasts, unpublished work and work in progress.

 

Wednesday
May102023

On Naomi Klein's 'AI Machines Aren't Hallucinating. But Their Makers Are'

In 'AI Machines Aren't Hallucinating. But Their Makers Are', Naomi Klein provides a powerful critique of the architects and ‘boosters’ of generative AI.

It’s hard to disagree with her clinical treatment of the ‘utopian hallucinations’ of Silicon Valley CEOs: that large language model AI will solve the climate crisis, deliver wise governance, and liberate us from drudgery.

Yet like many recent accounts of the dystopian (even fascist!) future of AI, Klein’s analysis still takes an unmarked/black-boxed, modernist-left liberal humanism as the position from which everything else is to be measured and understood. And we can include in this her conceptions of privacy rights, creativity and copyright.

In its destabilising of the belief that art and culture must stem solely from the creativity of human individuals, and opening us up to an expanded notion of intelligence that is not delimited by anthropocentrism, might AI represent an opportunity for ‘we leftists’ even more radical than those Klein points to but quickly discounts? And might this be the case for all she discounts AI’s most exciting promises for good reason: because in order for large language model AI ‘to benefit humanity, other species and our shared home’, it ‘would need to be deployed inside a vastly different economic and social order than our own, one that had as its purpose the meeting of human needs and the protection of the planetary systems that support all life’.

Take the environmental crisis. Our current romantic and extractive attitude toward the environment as both:

1)   passive background to be protected;

2)  freely accessible Lockean resource available to be used to generate wealth and profit

is underpinned by a modernist epistemology based on the separation of human from nonhuman, culture from nature, living from non-living? Yet isn’t it this very epistemology and its ‘human values’ that AI might, just might, help us move beyond?

 

 

Friday
Apr212023

Experimenting with Copyright Licences

My post on 'Experimenting with Copyright Licences' able to support a collaborative, radically relational approach is now up on the COPIM (Community-led Open Publication Infrastructures for Monographs) project website.

copim.pubpub.org/pub/combinato

It's part of the documentation for Ecological Rewriting, which is the first book coming out of the Combinatorial Books: Gathering Flowers/Open Humanities Press pilot.

openhumanitiespress.org/books/

It discusses both Creative Commons licenses and Collective Conditions for Re-Use (CC4r) by way of Michael Hardt and Antonio Negri's 2017 book Assembly.

 

Tuesday
Mar072023

Articulating Media: Genealogy, Interface, Situation, edited by James Gabrillo and Nathaniel Zetter

Open Humanities Press is pleased to announce the publication of Articulating Media: Genealogy, Interface, Situation, edited by James Gabrillo and Nathaniel Zetter.

Like all Open Humanities Press books, Articulating Media is available open access (it can be downloaded for free):

http://www.openhumanitiespress.org/books/titles/articulating-media/

Book description:

To ‘articulate’ media means to understand them by locating their connections in space and time. Articulating Media offers new approaches to the writing of technology and the technologies of writing by twinning an investigation of language with an attention to location. Where does media theory take place? How should media theory understand its own occupation of the spaces of media? What materialities might survive media’s many articulations and associations?

Diverse in topic and method, the collection’s nine chapters analyse those questions of value, representation, and categorisation that are held within the languages of media. Contributors consider media technologies – following previous volumes in the Technographies series – not as mute objects addressed through language, but as processes and devices situated in the very grammars and vocabularies of their address. Scholars of literature, film, musicology, art, design theory, and media history evaluate new linguistic possibilities for thinking across disciplines and for considering the significance of location to media-critical writing. Collectively, the book traces the ways in which media vernaculars have shaped the vernaculars of media theory, and proposes a few ways in which we might reshape them.

Editor Bios

James Gabrillo is an assistant professor of musicology and ethnomusicology at the University of Texas at Austin. He was previously a lecturer at The New School and a postdoctoral fellow at Princeton University.

Nathaniel Zetter is a College Teaching Associate in English at Selwyn College, University of Cambridge.

Series

Articulating Media is published as part of the Technographies series, edited by Steven Connor, David Trotter and James Purdon:

http://www.openhumanitiespress.org/books/series/technographies/

Monday
Jan302023

Data Farms, edited by Tsvetelina Hristova, Brett Neilson and Ned Rossiter

Open Humanities Press is pleased to announce the publication of Data Farms, edited by Tsvetelina Hristova, Brett Neilson and Ned Rossiter.

Like all Open Humanities Press books, Data Farms is available open access (it can be downloaded for free):

http://www.openhumanitiespress.org/books/titles/data-farms/

Book description:

What is at stake in naming data centres as data farms? These installations are essentially hangars packed with computers. They congregate servers, switches and wires that facilitate the storage, processing and transmission of data in high volumes and at fast speeds. Data centres present a scale of operations, potentially planetary in scope, that intensifies and multiplies the productive and extractive capacities of digital technologies. The economic advantages that accrue to parties with servers in these installations derive not only from opportunities for peering and networking but also from inputs to client machines that may be situated at vast distance. Yet data centres have precise locations, often clustering where there is access to energy, skills, land concessions, tax exemptions or undersea cables. There are no data centres without land and water. Like the ‘dark satanic mills’ associated with the factories of the industrial revolution, data centres burn fossil fuels. Yet, despite these continuities with agrarian and industrial activity, the data economy generates stark figurations of territory, power and circulation.

Contents

LAND AND WATER, Brett Neilson & Ned Rossiter

HABITS, DATA, LABOUR: FROM WAREHOUSES TO DATA CENTRES, Liam Magee & Ned Rossiter

TOWARDS A FEMINIST SERVER STACK, Nancy Mauro-Flude

CLOUD COSMOGRAM, Maya Indira Ganesh & Johannes Bruder

THE INTERNET BEYOND BORDERLESS VERSUS FRAGMENTED, Luke Munn

ISLAND IN THE NET, Stefan Yong

HOW DATA CENTRES PRODUCE TOPOLOGIES OF TERRITORY AND LABOUR, Brett Neilson & Tanya Notley

DATA FARMS SONIFCATION: AN EXPERIMENT IN DATA MODELLING AND SPATIAL AUDIO, Sarah Cashman, Michela Ledwidge & Brett Neilson

DATA CENTRES: IN THE MIDDLE OF NOWHERE AND EVERYWHERE, Rolien Hoyng

CAPITAL OPERATIONS: DATA AND WASTE, Brett Neilson

THE DISPOSITIF OF DISTRIBUTION AND THE GEOPOLITICS OF DATA, Florian Sprenge

Editor Bios

Tsvetelina Hristova is Postdoctoral Research Fellow at the Institute for Culture and Society, Western Sydney University.

Brett Neilson is Professor at the Institute for Culture and Society, Western Sydney University. He is author, with Sandro Mezzadra, of Border as Method, or, the Multiplication of Labor and The Politics of Operations: Excavating Contemporary Capitalism.

Ned Rossiter is Director of Research at the Institute for Culture and Society, and Professor of Communication, School of Humanities and Communication Arts, Western Sydney University. His current book projects include Media of Decision and (with Soenke Zehle) The Experience of Digital Objects: Automation, Aesthetics, Algorithms.

Series

Data Farms is published as part of the Low Latencies series, edited by Brett Neilson and Ned Rossiter:

http://www.openhumanitiespress.org/books/series/low-latencies/