Recent-ish publications

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Community-led Open Publication Infrastructures for Monographs (COPIM) project

« Experimental Publishing I – Critique, Intervention, and Speculation: a symposium | Main | The Left Can't Meme? »
Thursday
Mar072019

MEDIA:ART:WRITE:NOW - new book series from Open Humanities Press

Media art is a space in which the human sensorium can recognise itself as fundamentally entangled with technology. It is also a filter through which urgent socio-political issues can be engaged, mediated and transformed.

 

Open Humanities Press's MEDIA : ART : WRITE : NOW series mobilises the medium of writing as a mode of critical enquiry and aesthetic expression. Its books capture the most original developments in technology-based arts and other forms of creative media: AI and computational arts, gaming, digital and post-digital productions, soft and wet media, interactive and participative arts, open platforms, photography, photomedia and, last but not least, amateur media practice. They convey the urgency of the project via their style, length and mode of engagement. In both length and tone, they sit somewhere between an extended essay and a monograph.

The goal of the series is to recalibrate how we see, hear and feel in the contemporary mediated environment – and to intervene in it, right here right now. It is also to challenge the unified ‘we’ of aesthetic and political experience.

To contribute to the series, please contact Joanna Zylinska, Goldsmiths, University of London <j.zylinska@gold.ac.uk>.

Advisory Board

Morehshin Allahyari, artist, activist, educator, US
Mark Amerika, University of Boulder, Colorado, US
Oron Catts & Ionat Zurr, SymbioticA, University of Western Australia, Australia
Kristoffer Gansing, Transmediale, Germany
Kenneth Goldsmith, University of Pennsylvania, US
Asbjørn Grønstad, Bergen University, Norway
Greg Hainge, University of Queensland, Australia
Eduardo Kac, School of the Art Institute of Chicago, US
Ryszard Kluszczyński, University of Łódź, Poland
Esther Leslie, Birkbeck, University of London, UK
Benjamin Mayer-Foulkes, 17: Institute of Critical Theory, Mexico
Gabriel Menotti, Espírito Santo Federal University, Vitória, Brasil
Nicholas Mirzoeff, New York University, US
Kate Mondloch, University of Orgeon, US
Bo Reimer, Malmo University, Sweden
Katrina Sluis, The Photographers’ Gallery, London / London South Bank University, UK
Cornelia Sollfrank, artist, Germany
Hito Steyerl, artist, Germany

 

Image credit: Walter Van Der Mäntzche, Des perturbations sont à prévoir / Disturbances are expected, 2013.

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