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Podcast: 'Gary Hall: Defund Culture', Breaking Culture Live, April, 2026

Podcast: 'Friendship, and Other Ways of Producing Knowledge', featuring Sigi Jöttkandt, Joanna Zylinska and Gary Hall, Scholē IRL, Episode 4, April 2026

Podcast: 'Defund Culture by Any Means Necessary', Minor Compositions Podcast - Season 2, Episode 5, March, 2026, with Gary Hall and Seth Wheeler, hosted by Stevphen Shukaitis

Book: Defund Culture: A Radical Proposal, 2026

Talk: ‘Liquidate AI Art’, Computer Arts Society, London, 15 October, 2025

Book: Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence, 2025

Journal issue: Ecologies of Dissemination issue of PARSE Journal #21 - Summer, 2025, edited by Eva Weinmayr and Femke Snelting. (I am one of the contributors to this experimental issue which emphasizes collective, community-based and relational practices of knowledge production over individual authorship.) 

AI Magazine: Robot Review of Books

Some recent and not-so-recent publications

A Brief History of Writing: From Human Meaning to Pattern Recognition and Beyond, with Joanna Zylinska

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

‘How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book of the Combinatorial Books pilot)

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repository PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Main | For a New Technology of Philosophy »
Monday
Oct262026

Beyond Access: Publishing as Infrastructural Experimentation

Below is my response to comments from Stevphen Shukaitus and Simon Batterbury made on the Radical Open Access mailing list in October 2026. Stevphen and Simon were reponding to a July 9 issue of the Open Humaniites newsletter titled 'Who Will Find Us?: What Happens to Open Access After Search?'

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Thanks Stevphen and Simon for the thoughtful and generous responses. I guess with that newsletter we were trying to get ahead of things when it comes to thinking through the implications of the shift from search engines to AI chatbots, rather than just letting things happen to us. But the question of what kinds of intellectual and social relationships we want publishing to make possible is also a good starting point for thinking further about all this. 

Speaking of social and human costs, I do worry about how much longer there will be enough people around who are willing and able to have such encounters, sustain such social relationships, participate in such communities of study and collective intellectual production, and bring new projects into being. As we know, large numbers of scholars are leaving the mainstream university system as a result of 'restructuring' (for which we can read the 'hollowing out' of critical subjects in the humanities and social sciences). In the UK, 'nearly 4,000 academic posts in social sciences, humanities and the arts have been axed in one year alone. In the 12 months to December 2024, just under 3,000 social sciences, 820 humanities and 240 arts jobs went. All but 110 were in non-Russell Group universities, reducing student choice and potentially exacerbating inequalities' (https://www.theguardian.com/education/2026/jul/14/university-job-cuts-humanities-social-sciences). The number of early-career humanities staff has fallen by 20% over the last decade (https://www.timeshighereducation.com/news/humanities-hardest-hit-early-career-opportunities-disappear).

As a result, many early-career scholars are choosing not to remain in - or even to enter - the university system as researchers or lecturers: because they're seeing it as unattractive, precarious, individualised, conservative, hypercompetitive - in short, toxic.

Of those who do remain in the university, many are overworked - not least because they're having to take on the work of colleagues they've lost. They simply don't have the 'time, spaces  or capacities' to devote to such communities: to 'editing, organising, facilitating, maintaining relationships, caring for spaces' and so on. 

Because of the pressures of academic employment, promotion and evaluation, other early-career scholars apparently feel they have to echo what those in older generations who have achieved high-status do and say. They almost deliberately bland themselves out (consciously or unconsciously), continuing to operate much as such legacy academics did. So, yes, as Simon says, many are concerned with getting 'a standard article out so that they can obtain a job or advance their career', rather than with who is producing knowledge, experimenting with infrastructure and the 'social infrastructures of publishing', or setting up their own publishing projects. 

(Speaking of bringing new projects into being and encouraging a proliferation of experiments: to what extent are early-career scholars starting new open access academic presses these days, does anyone know? Or is this an activity that pretty much belongs to previous generations, with scholars today more likely to be interested in publishing on Instagram, Tumblr and YouTube and forming communities by running book clubs and hosting in-person events? After all, both Open Humanities Press and Minor Compositions are nearly 20 years old now, having been launched within a year of each other. Was there something in the air in 2008/2009 that isn't in the air so much now?)

As a result of all this, there's a real process of re-centering underway, one that goes beyond 'the infrastructures of academic publishing [becoming] increasingly concentrated in the hands of commercial interests', as Stevphen puts it, and that's moving in the opposite direction to which Ngũgĩ wa Thiong’o (an original board member of OHP) directs us in Moving the Centre when he writes: 

I am concerned with moving the centre in two senses at least. One is the need to move the centre from its assumed location in the West to a multiplicity of spheres in all the cultures of the world…. The second sense is … to move the centre from all minority class establishments within nations to the real creative centres among the working people in condition of gender, racial and religious equality.

According to Andy Burnham, we're supposed to have reached the end of the neoliberal project in the UK. (Is this what the situation with Manchester City signals? It'd be nice to think so.) Yet there seems to be no sign of this message having reached the people who lead and manage universities. Although maybe their jobs, too, are going to be 'restructured' - ironically enough, thanks to AI (https://openhumanities.substack.com/p/the-end-of-management-two-new-books). 

In the meantime, I'm wondering what we can do to push back against the current direction of travel toward such re-centering? How do we support colleagues, both inside and outside the university, to be part of such communities of study and intellectual production - or to develop their own versions of them, including some that do indeed 'go beyond the conventional boundaries of what we think publishing involves'? What different arrangements, socially, organisationally, infrastructurally and economically, do they need for these activities to be possible for them?