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100% Inhuman Made badges project

Podcast: 'Gary Hall: Defund Culture', Breaking Culture Live, April, 2026

Podcast: 'Friendship, and Other Ways of Producing Knowledge', featuring Sigi Jöttkandt, Joanna Zylinska and Gary Hall, Scholē IRL, Episode 4, April 2026

Podcast: 'Defund Culture by Any Means Necessary', Minor Compositions Podcast - Season 2, Episode 5, March, 2026, with Gary Hall and Seth Wheeler, hosted by Stevphen Shukaitis

Book: Defund Culture: A Radical Proposal, 2026

Talk: ‘Liquidate AI Art’, Computer Arts Society, London, 15 October, 2025

Book: Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence, 2025

Journal issue: Ecologies of Dissemination issue of PARSE Journal #21 - Summer, 2025, edited by Eva Weinmayr and Femke Snelting. (I am one of the contributors to this experimental issue which emphasizes collective, community-based and relational practices of knowledge production over individual authorship.) 

AI Magazine: Robot Review of Books

Some recent and not-so-recent publications

A Brief History of Writing: From Human Meaning to Pattern Recognition and Beyond, with Joanna Zylinska

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book of the Combinatorial Books pilot)

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

« Ten Ways To Affirmatively Disrupt Platform Capitalism And The Sharing Economy Of Uber And Airbnb ♯2: Pressure Regulators to Change the Law | Main | Data Commonism: Introduction »
Monday
Dec122016

Ten Ways To Affirmatively Disrupt Platform Capitalism And The Sharing Economy Of Uber And Airbnb ♯1: Act Tactically 

(This is part of a series of posts in which I provide ten proposals as to how to affirmatively disrupt  platform capitalism and the corporate sharing economy of Uber, Airbnb et al. Together these posts constitute the draft of a text provisionally titled Data Commonism vs Übercapitalism designed to follow on from my recently published short book, The Uberfication of the University. If the latter provides a dystopian sense of what is lying in store for many us over the course of the next few years, Data Commonism vs Übercapitalism is more optimistic in that it shows what we can do about it. 

The first text in this series, Data Commonism: Introduction is here.

The Uberfication of the University is available from Minnesota University Press here. An open access version is available here.)

 

We Don’t Have To Live Like This: How to Affirmatively Disrupt the Disruptors 

♯1: Act Tactically 

In The Uberfication of the University I showed how obtaining a degree of autonomy from any for-profit sharing economy market by means of a strategic (and dialectical) withdrawal of our intellectual and bodily labour will be difficult, if not impossible, to achieve. Nevertheless, we can still respond tactically by flooding the market with inaccurate, misleading, or questionable information and data about ourselves. Such a response will have the added advantage of being consistent with the notion expressed at the end of The Uberfication of the University: that affirmatively disrupting ubercapitalism requires us to creatively destroy not only the jobs we do but also the microentrepreneurs of the self we have become.

The artist Natascha Sadr Haghighian offers an intriguing take on this approach. As part of a larger project of critiquing institutionalized regimes of knowledge, Haghighian rejects the totalizing ideas of CVs, resumes and bios. Instead, she insists only biographies obtained from the bioswop project (www.bioswop.net) be used in printed material regarding her work. This is a CV-exchange platform Haghighian has created with a view to providing curriculum vitaes, resumes and bios for mutual utilization and borrowing, as well as basic elements of CVs for assembly. (For an example, see the bio for Haghighian that is available at MIT List Visual Arts Center.)

Haghighian’s bioswop project is certainly helpful, not least in showing just how conservative most of us are when it comes to curriculum vitaes. Yet here too a question arises concerning the extent to which experiments with obfuscation of this kind are going to be possible under the rigorous performance management regime of any for-profit sharing economy business. In the era of ubercapitalism such an information and data intermediary will surely implement a real-name policy similar to that of Facebook and other online platforms. If so, then the only way to labor in the decentralised network of those providing services in the market created by the associated sharing economy ecosystem will be through the performance and maintenance of one’s own personal (self-)profile and reputation. (As I note in Pirate Philosophy, Facebook’s Terms of Service include the following conditions: “You will not provide any false personal information on Facebook, or create an account for anyone other than yourself without permission;” and “You will not create more than one personal account.”)

Indeed, according to Michael Fertik, this is why the “Reputation Economy will prove so disruptive to higher education” in particular: “because the technology is quickly developing to allow your unique reputation to become a stronger signal of employability than the name on your diploma, or even whether you have a diploma at all.” It is the latter credentialism, which includes the social, economic, and cultural capital generated by the name and type of the institution you attend (Ivy league or community college, Oxbridge or ex-Poly), which has so far enabled the traditional university system to hold off the challenge of MOOCs and other forms of online Open Education, after all. (A report from the Sutton Trust indicates that an Oxbridge graduate will on average earn £10,000 more every year of their working life than a graduate from a university outside of the Russell Group of elite United Kingdom universities.) What this means as far as any freelance individual microentrepreneur who adopts a tactic along the lines of Haghighian’s bioswop project is concerned, however, is that here too it will be more a case of work rejecting them than of them rejecting work and its totalizing ideas of CVs, resumes, bios, and the related information and data concerning educational qualifications, career trajectories, salary, social connections, online influence and behaviour. 

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