Latest

100% Inhuman Made badges project

Book, Defund Culture: A Radical Proposal

Talk, ‘Liquidate AI Art’, Computer Arts Society, London, 15 October, 2025.

Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence

(2025) Ecologies of Dissemination issue of PARSE Journal #21 - Summer, edited by Eva Weinmayr and Femke Snelting. (I am one of the contributors to this experimental issue which emphasizes collective, community-based and relational practices of knowledge production over individual authorship.) 

Robot Review of Books

Some recent and not-so-recent publications

A Brief History of Writing: From Human Meaning to Pattern Recognition and Beyond, with Joanna Zylinska

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book of the Combinatorial Books pilot)

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Main | 'Defund Culture by Any Means Necessary': Minor Compositions Podcast Season 2 Episode 5 »
Thursday
May072026

2nd edition of The Chernobyl Herbarium: Fragments of an Exploded Consciousness 

Together with Michael Marder and Anaïs Tondeur, we invite you to mark the 40th anniversary of the Chernobyl nuclear disaster with the second edition of The Chernobyl Herbarium: Fragments of an Exploded Consciousness.

The book is available as a free download via Open Humanities Press:

https://www.openhumanitiespress.org/books/titles/the-chernobyl-herbarium-2nd-ed/

'We entrust readers with forty fragments of reflections, meditations, recollections, and images — one for each year that has passed since the explosion… Through words and images, we wish to contribute our humble share to a collaborative grappling with the event of Chernobyl… taking stock of the consciousness it fragmented and, perhaps, cultivating another, more environmentally attuned way of living.'

Unthinkable and, in many ways, unrepresentable, Chernobyl continues to shape how we understand technology, ecology and responsibility. This edition offers a collective space for reflection - through text and images - on what it means to live with its aftermath.

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Also, don't forget to check out our earlier Ecological Rewriting: Situated Engagements With The Chernobyl Herbarium, edited by Gabriela Méndez Cota

https://www.openhumanitiespress.org/books/titles/ecological-rewriting/

Ecological Rewriting: Situated Engagements with The Chernobyl Herbarium (2023) was the first book in OHP's Combinatorial Books: Gathering Flowers series. Supported by the COPIM project, it was the creation of a collective of researchers, students and technologists from the Universidad Iberoamericana in Mexico City. Led by Gabriela Méndez Cota, this group of nine (re)writers annotated and remixed The Chernobyl Herbarium: Fragments of an Exploded Consciousness (2015) by the philosopher Michael Marder and the artist Anaïs Tondeur (originally published in OHP’s Critical Climate Change series) to produce what is a new book in its own right – albeit one that comments upon and engages with the original.

The online version of Ecological Rewriting is an experimental publication with links to the original annotations that the group of authors made on The Chernobyl Herbarium, so that the reader can follow an associative trail between the two publications.