Some recent and not-so-recent publications

'Culture and the University as White, Male, Liberal Humanist, Public Space'

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book coming out of the Combinatorial Books pilot)

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Wednesday
Jun122024

Dark Botany: The Herbarium Tales, edited by Prudence Gibson, Sigi Jottkandt, Marie Sierra and Anna Westbrook

We're delighted to announce the publication of Dark Botany: The Herbarium Tales, edited by Prudence Gibson, Sigi Jottkandt, Marie Sierra and Anna Westbrook.

Available open access and in print: http://www.openhumanitiespress.org/books/titles/dark-botany/

Dark Botany activates the material and sensorial wonder of plants—their energy, their mysterious allure, their capacities and skills, their independent might. In this Wunderkammer of critical plant studies essays and plant+artworks, the herbarium emerges as a site of multiple materialities and reflexive forms of counter-narrative. Herbaria specimens come alive as assemblages, telling truths about their dark histories and darker contemporary currents, while reflecting on the complexity of texture, movement, memory, compound structure, chemical emissions and rapid evolution of plants and languages. What one discovers is that herbaria are not static: they are as vital, energetic and enigmatic as the plants in their collections—and as diverse.

With contributions by Giovanni Aloi, Matthew Beach, Tamryn Bennett, Edward Colless, Prudence Gibson, Ryan Gordon, Lisa Gorton, Sigi Jöttkandt, Nick Koenig, Verena Kuni, Anna M. Lawrence, Vanessa Lemm, Rebecca Mayo, Aunty Deirdre Martin, Arina Melkozernova, Elaine Miller, Jacob Morris, Anna Perdibon, Anna Madeleine Raupach, Georgina Reid, Heather Rogers, Betty Russ, Erica Seccombe, Marie Sierra, Christina Stadlbauer, Anna-Sophie Springer, Bart Vandeput, Juliann Vitullo, Anna Westbrook and Maya Martin-Westheimer.

Dark Botany: The Herbarium Tales is an OHP Labs Seedbook:

http://www.openhumanitiespress.org/labs/seedbooks/

It is also part of The Herbarium Tales.

---

The Herbarium Tales

http://theherbariumtales.org/

This is a plant studies Australian Research Council Linkage project 2020-23. It is a collaboration between University of NSW, Bundanon Trust and the Sydney Botanic Gardens Herbarium. The interdisciplinary team includes Prudence Gibson UNSW, Sigi Jottkandt UNSW and Open Humanities Press, Sophie O’Brien Bundanon Trust, Marie Sierra Melbourne University and Brett Summerell Royal Botanic Gardens, Sydney.

The project outputs will include three films, two major outdoor artworks, a living book, a city forest, a monograph called The Herbarium and Me and this network of people and plants. Our team is dedicated to redefining the ways plants are understood and valued, and also to deepening recognition and understanding of the ways plants are important actors in political, economic and social relations.

We hope to celebrate and interrogate the agency, in/inter-dependence, and performing subjectivities of plants; we also hope to develop critical understandings of plants as performing actors in bio/phyto-political relations. Lead CI of this project, Prudence Gibson, has written a book entitled The Plant Contract (Brill 2018), which charts a new deal for the vegetal world that centres on an aesthetic of care, via a promise between one person and one plant to take care. This project aims to enact such a philosophy.

 

Monday
Jun102024

Oxford and the Observer Do Social Mobility

What’s wrong with this picture?

An Oxford university student, Oscar Jelley, has won the Observer/Anthony Burgess prize for arts journalism – a competition for ‘fresh voices’, no less.

The prize has been awarded for a review of Isabel Waidner’s Corey Fah Does Social Mobility, a novel that critiques the awarding of literary prizes by exclusive institutions and argues powerfully against ‘bourgeois cultural gatekeeping’ and the ‘unwritten rules that govern the often suffocatingly bourgeois world of prestige culture’.

The review claims ‘literature should not be the preserve of a moneyed elite.’ It's a statement with which The Fall would no doubt agree, their lyric, ‘Life should be full of strangeness,’ being used to top and tail the prize-winning piece.

Speaking of the prize-winning elite railing against ‘the elites’ while displaying little sense of irony … what’s the betting the reviewer supports Manchester City, too!

 

Monday
May202024

No 1 Introduction to the Robot Review of Books

No 1 Introduction to the Robot Review of Books from RRB on Vimeo.

Introducing the Robot Review of Books.

Like the London Review of Books ... but with even more robots!

The Robot Review of Books is an AI ‘magazine’ consisting of short computational media essays that are typically structured as book reviews.

🆓 Free: No subscriptions, no paywalls.

🚫 Non-Surveillance Capitalist: Viewer privacy is respected with no collection, storage or sale of personal data.

🤫 Quiet: No hype, no appeals for likes, shares or follows.

The RRB is not a business: there are no adverts, no podcasts, no RRB tote bags.

It's not run by would-be influencers, either human or machine. So, no urging you to get in touch if you have any questions. And new content does not appear online according to a regular schedule - certainly not one set by the algorithms of social media. Contributions are just added to the Robot Review of Books when they are ready to be published.

RRB #1 might be the only one. Or it might be the first of many.

 

Sunday
Apr142024

On 'Critiquing the Vocabularies of the Marketized University' by Natalie Fenton et al

'Critiquing the Vocabularies of the Marketized University', by Natalie Fenton, Des Freedman, Gholam Khiabany and Milly Williamson, which has been published in a special issue of the journal Media Theory on Critique, Postcritque and the Present Conjuncture, is well worth a read.

https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/887/575

For all its concern with the hollowing out of critique in the marketized university, though, could this essay itself have been more critical?

1) Critical University Studies is cited approvingly by Fenton et al. Yet CUS has been heavily criticised by those in favour of an Abolitionist University Studies, for being ‘haunted’ by nostalgia for an expansionist postwar public university system that ignores how that system was ‘underwritten by militarized funding priorities, nationalist agendas, and an incorporative project of counterinsurgency’.

2)  The conclusion of Fention et al. is we that need to remain in the university (rather than plan to leave it as many are now doing) and fight for education as a public good. But if we stay, what are we actually going to do differently by way of resisting the marketized university and freeing ourselves from it (which for them is the purpose of critique)? Fenton et al. recommend continuing to value ‘solidarity forms’ - building ‘friendships and alliances’ etc. – where we can keep the flame of critique alive. But we’ve been doing that for years and its not stopped us getting into this mess. So how is it going to get us out of it?


Wednesday
Mar202024

30-Second Book Review No.2: K Allado-McDowell’s Amor Cringe and Pharmako-AI

30-Second Book Review.

No.2

K Allado-McDowell’s Amor Cringe (Los Angelese: Deluge Books 2022) and Pharmako-AI (London: Ignota Books 2020).

K Allado-McDowell’s pioneering experimental novel Amor Cringe is ‘half traditionally-written and half AI-generated’ (2022), and is published on an all rights reserved basis by Deluge Books.

The same applies to Allado-McDowell’s collection Pharmako-AI, which bills itself as the ‘first book to be co-written with the language AI GPT-3. It is published all rights reserved by Ignota Books, with serif being used to identify those parts written by Allado-McDowell, and serif font the inputs Allado-McDowell gave the model, the rest being written by GPT-3. This ensures the two co-authors – human and machine – remain ontologically distinct. In not being authored primarily by nonhumans, it also ensures both books are copyrightable.

But what if, as Allado-McDowell suggested recently at the Cybernetic Serendipty: Towards AI event in London, art in the 21st century will weave together human and machine intelligences? How will this impact those humanist notions of authorship, attribution and copyright Allado-McDowell seems so anxious to maintain?

 

Page 1 ... 2 3 4 5 6 ... 51 Next 5 Entries »