Latest

Book, Defund Culture: A Radical Proposal

Talk, ‘Liquidate AI Art’, Computer Arts Society, London, 15 October, 2025.

Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence

(2025) Ecologies of Dissemination issue of PARSE Journal #21 - Summer, edited by Eva Weinmayr and Femke Snelting. (I am one of the contributors to this experimental issue which emphasizes collective, community-based and relational practices of knowledge production over individual authorship.) 

Robot Review of Books

Some recent and not-so-recent publications

A Brief History of Writing: From Human Meaning to Pattern Recognition and Beyond, with Joanna Zylinska

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book of the Combinatorial Books pilot)

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Main | ‘The Most Spoiled Generation’: Boomer Theory, Algorithmic Hustle and the Drive Toward Something Else »
Friday
Feb202026

Response to Curt Rice, 'Diamond Open Access Needs Institutions, Not Heroes’

Response to Curt Rice, 'Diamond Open Access Needs Institutions, Not Heroes’, The Scholarly Kitchen, 18 February, 2026. 

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Reading the argument that ‘Diamond Open Access needs institutions, not heroes’, it’s hard not to notice how much the question of institutions is also a question of who those institutions are structurally built to serve. As Gary Younge shows in his new book Pigeon Holed: Creative Freedom As An Act of Resistance, the publishing world - in Britain at least - remains strikingly conservative and elitist in its social composition:

the Police Evidence Centre found publishing and architecture the most elitist within the creative sector, with more than 58 per cent of those working within it coming from privileged backgrounds compared to 37 per cent of British workers as a whole. Since non-white people are more likely to be working-class, racial exclusion was, of course, compounded and enabled by class elitism. Using raw data from a 2019 Labour Force Survey, PEC researchers could show that publishing was the whitest within the creative sector with only 5 per cent minorities.

Meanwhile, a report by the Sutton Trust and the Social Mobility Commission found that newspaper columnists are more likely to have attended private school and Oxbridge than even High Court judges or members of the House of Lords. This leads Younge to conclude that in ‘an era of polarisation and populism, it is a reasonable, if not quite provable, assumption that the unrepresentative nature of the media has some bearing on publishing and journalism’s struggles to be relevant.’

These patterns matter for open-access debates, too, because they reveal a structural paradox: organisations and institutions are indeed important for sustaining diamond OA and its infrastructure. Yet the existing organisations and institutions, including those associated with publishing, are themselves deeply shaped by differences and hierarchies of class and race. Simply relying on them to scale diamond open access, without also transforming their structures and social composition, risks reproducing the same (white, middle-class) norms, values and exclusions under the guise of a more sustainable model.

The real challenge, then, is not ‘institutions vs heroes’, but how to design and build community-led organisations and institutions that redistribute not only publishing infrastructure but also cultural funding, resources, opportunities and authority – so that forms of committed, resilient (rather than sustainable) and responsible open access are possible that are open in terms of participation, not merely content.